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Ernesto Romero

Ernesto Romero Mariscal Guasp, México 1975. Compositor (CIEM, México D.F.), cantante, percusionista y programador. Entusiasta de la interdisciplina, la música electrónica y el folclor. Vuelca su energía en la interpretación en tiempo real mediante el código en vivo (live coding) y desarrollando e implementando interfases físicas que permiten la interacción dinámica.

Formó parte de los grupos de experimentación escénica visual-sonora “mU”, “rrr” y “Los Platelmintos”. Actualmente forma parte del grupo de electro-pop “Mico Rex” con el que tiene el disco Rico Mex en el sello discográfico inglés ChordPunch y con el que realiza anualmente giras en Europa . Del 2007 al 2013 dirigió el Taller de Audio del Centro Multimedia en el Centro Nacional de las Artes investigando, desarrollando y divulgando conocimiento de electrónica en vivo y FLOSS (Free Libre Open Source Software). Es uno de los principales impulsores del live coding en México. Impartió clases en CENTRO, CICO y Centro Multimedia del Centro Nacional de las Artes y fué tutor del programa Salón Abierto. Ha trabajado con artistas como Manuel Rocha, Arcangel Constantini, Juan José Rivas, Amanda Gutiérrez, Manuel Escalante, Roberto Arcaute, Ana Lara, Tambuco, Quinteto de Alientos de la Ciudad de México entre otros.

Principales eventos en los que se ha presentado: SuperCollider Symposium, Londres. Giras Algorave y PiñaCollider, Inglaterra, Alemania, Holanda, España, Francia, Portugal y Suiza. Concierto especial en el Museo Politécntico de Moscú, ICLC Canadá, Festivales de software libre Piksel y Make Art, Noruega y Poitiers. Live.code.fest y Network Music Fest, Karlsruhe y Birmingham. Festival Rawbits, Chicago. Maldito Fest, Argentina. Volta, Ceremonia, Festival Cervantino, Radar, Transitio_MX, Habitación del Ruido, Sonom, Meditatio Sonus y Dorkbot, México.

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Luis Leiva

Photo by Sol Spinelli

http://fabrikamundo.com/

Luis Leiva is a young argentinian singer and musician, crossed by the pursuit of sound identity.
This time runs landscapes exploring the cultural essence of each of them, telling their stories, showing its habitants; from the fresh look of an interconnected world where barriers of the folk leave space to the fuzion with the contemporary elements.
The word, the soul of the song, takes a central place in the work of this musician who invites us to reflection about our environment.
The Latin American colors are mixed in autochthonous sounds, embraced by the projection of this artist.

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XX019 und motto

http://daniauxpigot.com/

Since we met in 2001, our joint work bears the dual hallmark of experimentation and performance. Our pieces bring together various media, associating elements from opposite ranges, with a taste for connections between Sci-Fi and documentary forms, high-tech engineering and fantasy tales, heavyweight materials and fleeting sensations. Starting with installations and objects, our work soon included experimental actions and more immaterial artistic gestures. Videos, sound art, music, poetry, olfactive research, virtual works bordering the digital arts have formed, over the past years, a cycle of works dealing with climate change, economic, political and geo-strategic issues, urban development and food management. We are currently working in Alaska on land art projects dealing with time, archaeology, geology and climate change.

Our work was shown in leading institutions: Musée du Jeu de Paume in Paris in 2014, Venice Biennial of Architecture in Italy in 2014, Barents Spektakel in 2013 in Norway, Ultima Festival, at Oslo Opera in 2011, Palais de Tokyo in Paris in 2011, Qui Vive International Biennial in Moscow in 2010 and Dashanzi Art Festival in Beijing in 2004. We were laureates of a Villa Medici hors-les-murs residency in 2003, fellows at the Cité Siam in Bangkok in 2005, at Dar Batha in Fez, Morocco in 2013 and at Akademie Schloss Solitude, Germany in 2015 and 2016. We were finalists of the COAL Prize Art and Environment in 2010.
We run the Essays collection of Éditions Supernova, which we founded with Stéphanie Boubli in 2014.
http://www.supernovaeditions.com/

As part of the electronic scene XX0019 und Motto is the code name under which Magali Daniaux & Cédric Pigot operate. Their live show (video + sound + poetry) radiates an already used industrial violence and boosts survival instinct, sound particles are being extracted from the deepest persistent, just like toxic bubbles escaped from the tanks we thought for ever sealed. Orevo

https://xx019undmotto.bandcamp.com/track/xx0019-und-motto

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Guillaume Dumas

http://www.extrospection.eu/

I am a research fellow of the Human Genetics and Cognitive Functions Laboratory in the Institut Pasteur, and an affiliate member of the Human Brain and Behavior Laboratory, in the Center for Complex Systems and Brains Sciences of Florida Atlantic University.

In parallel, I participates in various projects melting Design and Art. I also do scientific journalism for radio and public journals. I am the co-founder of the HackYourPhD community, which advocates the use of openness in Science and Knowledge as a common good in Society. Finally, I am the co-founder and president of ARTEMOC, the French Association of Transdisciplinary Research on Altered States of Cognition.

You will find here all my works, most of them are in Science but you will also find some projects in relation to Art or Society. The blog, for instance, offers some personal thoughts about the new relationship between Science and Society through the prism of complexity approaches.

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Elisa Matilde

Elisa Sepúlveda Ruddoff es originaria de Chile. Realiza sus estudios de licenciatura en Historia del Arte y en Economía en la Universidad Sorbona (París, Francia). Obtiene su maestría en Producción Audiovisual en el INA (Instituto Nacional de l’Audiovisual, Francia).

Ha producido cortometrajes de ficción y documentales (Un peu de moi par içi, un peu de moi par là, Pâques, Grand Huit, videoclip para el músico Baptiste W. Hamon).

Ha colaborado en distintas sociedades productoras como NDM Mantarraya (México), Les Films du Worso (Francia), Les Films du Cygne (Francia), María Una Vez (Chile) y Noodles Production (Francia).Fue productora en Films d’Altérité y co-directora del festival binacional de documentales México-Francia; VISOR/ VISEUR y muestras de cine documental chileno.

Hoy en día es directora y productora de documentales de creación, acaba de crear su casa de producción de cine y arte “CAPICUA” y colabora en distintos colectivos artísticos : Frères Singuliers, Asociación Therapoètes. Es videasta y fotógrafa en potencia.